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Learn about the life and work of Dutch designer and architect Gerrit Rietveld. Visit the Netherlands from home (COVID-19).

The highlight of a celebratory “Rietveld Year” in Utrecht, the exhibition “Rietveld’s Universe” opened at the Centraal Museum and compared him and his work with famous contemporaries like Wright, Le Corbusier and Mies van der Rohe.[11]. A commission to copy from photographs furniture designed by the American architect Frank Lloyd Wright for a client of the Dutch architect Robert van't Hoff brought Rietveld into contact with de Stijl (the Style), founded in 1917. Beyond the Netherlands, the De Stijl…, Furniture, household equipment, usually made of wood, metal, plastics, marble, glass, fabrics, or related materials and having a variety of different purposes. Rietveld’s early work was characteristic of De Stijl, a modernist art movement whose members included Piet Mondrian and Theo van Doesburg. The same year he joined the Congrès Internationaux d'Architecture Moderne. Most Popular ★ Boost . Although Piet Mondrian and Gerrit Rietveld were among the most famous members of de Stijl, they never actually met but corresponded by letter. He was the first to give its esthetic program visible form. Read more about the organization and get to know the Holland.com editors. The first personality is that seen in the craftsman cabinet-maker working in a primordial idiom, re-inventing chairs and other furniture as if no one had ever built them before him and following a structural code all of his own; the second is that of the architect working with elegant formulas, determined to drive home the rationalist and neoplastic message in the context of European architecture. His youngest son, Wim Rietveld, went on to follow in his footsteps as an acclaimed industrial designer.

De Stijl was founded in 1917. [4] In 1918, he started his own furniture factory, and changed the chair's colours after becoming influenced by the De Stijl movement, of which he became a member in 1919, the same year in which he became an architect. In 1951 Rietveld designed a retrospective exhibition about De Stijl which was held in Amsterdam, Venice and New York. Gerrit Thomas Rietveld was born in Utrecht on 24 June 1888 as the son of a joiner. It was the first house he’d ever built. Once his Rietveld-Schröder House was completed in Utrecht in 1924, he worked from a studio on its ground floor. Horizontal windows flooded the rooms with light, sliding doors allowed the space to be divided, and its dramatic colour emphasised the geometric shapes. At about the same time he created his famous red-and-blue armchair, which, in its emphasis on geometry and in its use of primary colours, was a realization of de Stijl principles (see photograph). His renowned Red and Blue Chair, for example, was designed around 1919. In 1951 Rietveld designed a retrospective exhibition about De Stijl which was held in Amsterdam, Venice and New York. Rietveld applied the same interplay of rectangles to an architectural design in his remodeling of the groundfloor shop front of the G. & Z. C. Jewelry Store, Amsterdam (1920; destroyed). Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. [2], By the time he opened his own furniture workshop in 1917, Rietveld had taught himself drawing, painting and model-making. One of the principal members of the Dutch artistic movement called De Stijl, Rietveld is famous for his Red and Blue Chair and for the Rietveld Schröder House, which is a UNESCO World Heritage Site. From the late 1920s he was concerned with social housing, inexpensive production methods, new materials, prefabrication and standardisation. Important members of De Stijl were Theo van Doesburg, Piet Mondriaan, Bart van der Leck, J.J.P. Gerrit Rietveld was born on June 24, 1888, in Utrecht and lived there most of his life. Know Gerrit Rietveld's Cars, House, Networth. Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. Rietveld's career as an independent architect began in 1919. Rietveld married Vrouwgien Hadders in 1922 and they had six children. He was interested in how machines could produce furniture that was simpler in style and more accessible to a mass market. Gerrit Rietveld was a famous Dutch architect, who was born on June 24, 1888. Learn about the life and work of Dutch designer and architect Gerrit Rietveld. Birthday . Truus Schröder adored Rietveld’s work and commissioned him to design a house for her and her children. He was trained as a cabinetmaker by his father (1899-1906) and as a jewelry designer in the studio of C. J. Begeer (1906-1911). Our editors will review what you’ve submitted and determine whether to revise the article.

[5], He built the Rietveld Schröder House, in 1924, in close collaboration with the owner Truus Schröder-Schräder. The flexible design of the two-story house included an upper floor which could be made into one large room by sliding back the movable partitions. Gerrit Rietveld, ‘Red Blue Chair’ (1917) Photograph courtesy of Rainer Zenz / WikiCommons. Gerrit Rietveld biography - Gerrit Thomas Rietveld, a dutch architect and furniture designer, was born on June 24, 1888 in Utrecht, Netherlands. The majority of Rietveld’s work has remained in his hometown of Utrecht. Rietveld began his association with the movement known as de Stijl in 1918. https://www.britannica.com/biography/Gerrit-Thomas-Rietveld, Ketterer Kunst - Biography of Gerrit Thomas Rietveld, Art Directory - Biography of Gerrit Thomas Rietveld, Van Gogh Museum - Biography of Gerrit Thomas Rietveld. Let's discover Gerrit Rietveld's birthday profile such as: Early life, Famous for, Professional life, family life, trivia, fun facts and before fame. For the next 8 years he was self-employed as a cabinetmaker while studying and working with the architect P. J. Klaarhamer. Rietveld designed the Zig-Zag Chair in 1934 and started the design of the Van Gogh Museum in Amsterdam, which was finished after his death. Gerrit Rietveld salary information will be update soon. The two activities alternate, overlap, and fuse in a perfect osmosis unfolding then into a logical sequence. The same year he joined the Congrès Internationaux d'Architecture Moderne. [6], Rietveld broke with De Stijl in 1928 and became associated with a more functionalist style of architecture, known as either Nieuwe Zakelijkheid or Nieuwe Bouwen.

He remained associated with de Stijl until it was dissolved in 1931. [8] Due to irreparable damages caused by regular decay, it was once again rebuilt, this time with new materials, in 2010. The exterior was a de Stijl composition of particolored, stuccoed brick planes and painted steel stanchions that suggested an inner volume dynamically defined by discrete lines and planes, but not actually enclosed. Rietveld was a member of this group from 1919 to 1931, but already in 1917-1918 he had designed the so-called Red-Blue chair. It was the first executed object to exhibit the artistic principles of de Stijl.

Congrès Internationaux d'Architecture Moderne, Design’s Odd Man Out Gets Moment in the Sun, "Han Schroeder: Architectural Papers, 1926-1998", Sculpture Garden at the Kröller Müller Museum, Rietveld’s Universe - Rietveld, Frank Lloyd Wright, Le Corbusier, Theo van Doesburg, 20 October 2010 - 13 February 2011, https://en.wikipedia.org/w/index.php?title=Gerrit_Rietveld&oldid=985941953, Creative Commons Attribution-ShareAlike License, This page was last edited on 28 October 2020, at 21:31. In 1921 he began a period of collaboration with the designer Truus Schröder-Schräder, for and with whom he designed the paradigm of de Stijl architecture, the Schröder House, Utrecht (1924). De Stijl advocated a "pure" artistic expression based upon the interrelationship in space of rectangles of primary colors. His son Wim Rietveld also became a renowned industrial designer. In 1923, Walter Gropius invited Rietveld to exhibit at the Bauhaus. When the art academy in Amsterdam became part of the higher professional education system in 1968 and was given the status of an Academy for Fine Arts and Design, the name was changed to the Gerrit Rietveld Academy in honour of Rietveld. Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree.... Rietveld’s Schroeder House, built in 1924 at Utrecht, was a three-dimensional parallel to Mondrian’s paintings of the period.

He afterwards set up in business as a cabinet-maker. Rietveld designed the Zig-Zag Chair in 1934 and started the design of the Van Gogh Museum in Amsterdam, which was finished after his death. As per our current database, Gerrit had at least one relationship record in the past. He passed away one year after the project began and it was completed nine years later, remaining true to his initial sketches. Van Doesburg’s work for the Bauhaus art school at Weimar brought the influence of Dutch Neoplasticism to bear upon Gropius and Mies, whose plans for houses at…, Gerrit Rietveld, another architect associated with De Stijl, also applied its stylistic principles in his work; the Schröder House in Utrecht (1924), for example, resembles a Mondrian painting in the severe purity of its facade and in its interior plan. Rietveld had his first retrospective exhibition devoted to his architectural work at the Central Museum, Utrecht, in 1958. Gerrit Thomas Rietveld was born in Utrecht on 24 June 1888 as the son of a joiner. Furniture ranges widely from the simple pine chest or stick-back country chair to the most elaborate marquetry work cabinet or gilded…. Piet Mondrian and Gerrit Rietveld never met in person. Commissions became fewer, although he continued to design furniture (Zig-Zag chair, 1934) and buildings. Video Celebrity Topic By signing up for this email, you are agreeing to news, offers, and information from Encyclopaedia Britannica. In doing so, his work revolutionised the way that furniture was designed and produced. Discover Rietveld’s design masterpiece, the Red and Blue Chair. Holland.com is the official website for the Netherlands as a tourist destination. In 1923, Walter Gropius invited Rietveld to exhibit at the Bauhaus. When the art academy in Amsterdam became part of the higher professional education system in 1968 and was given the status of an Academy for Fine Arts and Design, the name was changed to the Gerrit Rietveld Academy in honour of Rietveld.

In 1928 Rietveld was one of the co-founders of the CIAM (International Congress of Modern Architecture). Collaborating first with Robert van’t Hoff and Vilmos Huszar, then with Theo van Doesburg and Cornelius van Eesteren, Rietveld soon became one of the most distinguished interpreters of the neoplastic message.

Learn about his life, his achievements and his most influential designs. the Schröder house at Utrecht (1924); the “Row Houses” at Utrecht (1931-34); the Dutch pavilion at the Venice Biennial (1954); the sculpture pavilion in the Rijksmuseum Kröller-Müller at Otterloo and the Van Gogh Museum in Amsterdam (1955). Updates? In style, it was reminiscent of a three-dimensional Mondrian painting, attracting media attention from around the world. In subsequent years he was given many commissions, including the Dutch pavilion for the Venice Biennale (1953), the art academies in Amsterdam and Arnhem, and the press room for the UNESCO building in Paris. His masterpiece, the ‘Rood-blauw stoel’, or more simply the Red and Blue Chair, was commended for its simplicity, clarity and, in Rietveld’s words, “honest design”.

Netherlands. Rietveld had his first retrospective exhibition devoted to his architectural work at the Central Museum, Utrecht, in 1958.

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